ive seen a bunch of movies the four weeks

i have the amc theater subscription that lets you see three movies a week for $25 a month.

it can be imax, 3d, premium theaters, anything, and it’s a good chunk of what’s out there.

living in hollywood, theres 7 theaters within a 9.5 radius of me. over 70 different screens.

but lets say you’re enjoying a few days out in palm springs or scottsdale and wanna see Gloria Bell

well you can do that too

i saw Us the same day i saw the Motley Crue thing on Netflix and it pained me to realize i liked the trashy hair metal bio pic better than the stylized mind trip masquerading as a horror flick.

im told Us is better the second time, and i must say i feel the same way about The Dirt.

another guilty pleasure was The Beach Bum which is utterly ridiculous but was beautiful to watch

and i felt supercharged afterwards.

arent movies supposed to be art?

isn’t it interesting to watch your buttons get pushed and your feelings get futzed with

while your senses are tingling, in my case, additionally due to the on-the-money soundtrack

maybe im an easy audience but i also liked Alita: Battle Angel

i wasn’t expecting much but i was more than impressed by the live action / animation sfx bruiser

plus you have christoph waltz and mahersala ali – four oscars between them – in surprisingly intricate roles

i dont know why i expected a james cameron / robert rodriguez movie to be bad, but im an idiot

was not in the slightest bit scared during the remake of Pet Semetary, the story steven king says was the one story that freaked him out.

is there something wrong with me? probably. i will cry in movies no problem but rarely am i scared.

is it because ive seen it all? am i really a million years old?

i thought it was a trudge through most of it, but i was stunned at how well the third act was.

still i give it a D and feel totally alienated when i read good reviews about it

Dumbo was another one that i had low expectations for and that Disney magic got me

how do they do it?

last night i saw Shazam in imax at citywalk

you dont have to watch it on a giant screen but it sure looked good.

i laughed i cried i cheered. this is my favorite movie of the year so far.

it is everything you should want from a comic book superhero origin story

whoever the dude is playing shazam couldnt have been more perfect

dc has done an excellent job of putting b and c-list actors in leading roles for

wonder woman, aquaman, and now shazam

and because the movies are so well written and well made

the movies become monsters and the stars become super famous.

its money ball for movies.

i had a good day, praise God

i dont know how much free will we have. but heres my guess.

when i was a kid they had electric slot cars that you could get from the sears catalogue for like $50-$60

which was a lot of money in those days. a house cost a nickel.

the thing about these slot cars were you could go fast but if you took it too hard around the corners they would fly off into the dining room and you had to go get em and put em back

i think God sees us fly off sometimes and he’ll put us back when he sees fit

or maybe not at all if he’s tired with your triflin ass.

for a week i was nervous about today and i thought i was gonna spiral off in a way

that would have me inconvenienced, lets say, for the rest of the year.

but that wasnt the case at all.

my weird little whip around the corner was fun, oddly.

and afterwards i picked up the pretty girl. drove her home.

she wanted to work on this thing shes doing. so i went back to burbank

and watched Dumbo in iMax and it was good.

so thank you Lord!

took amber to see “the beach bum” last night

she hadn’t seen any of Harmony Korine’s films (Gummo, Spring Breakers, Julien Donkey Boy) but i had and loved him.

i love how free his characters are, how complicated he makes them. equal parts disgusting and wild, selfish and unconscious. do they have feelings? do feelings limit us? are morals important? should we push tuba players into the sea? should we kill cats and sell them to the grocer? is drinking and driving bad?

he pushes all the buttons about sex drugs and rock in this one. friendship. marriage. even crossdressing. it’s a wild journey through the vessel of oscar winner matthew mcconaughey who goes through ups and downs, but the low points dont effect them the same way it would you and i. which is inspirational to a point, but unbelievable. this is a man who can be homeless, live among the poorest, and then ride in a giant yacht with snoop dogg and have exactly the same experiences.

isnt that what we should all aspire for? isn’t that how life should be?

harmony’s extremes have always included neon colors and boozing and guns and drugs and music (an excellent array here from The Cure to Jimmy Buffet to many sounds of the 70s) and random topless women.

it can be startling to endure 90 minutes of debauchery from a character who you are trying to determine if you like or not. he is a poet. or at least he thinks he is. his agent, played poorly by the usually talented jonah hill, thinks he’s a great writer. in fact everyone including the judge who is deciding whether or not to send him to jail thinks he’s hugely talented. but is he? (yes) and is that enough to let him get away with acting like a spoiled brat? (maybe)

when the film was over and people were still in their seats, Amber, who is also a free spirit, said, loudly, THAT WAS THE WORST MOVIE I’VE EVER SEEN.

as we walked out, we passed a group. from it emerged a voice that said THAT SUCKED. I HATED IT. it was a mom with a huge scowl on her face. WE WASTED SO MUCH MONEY AND TIME ON THAT! she marched away from the group. I tried to console her by saying amber agreed with her. but that didn’t turn her frown upside-down. she clomped her way into the ladies room, her wildly dressed daughters trying to catch up behind.

Well, I liked it. I told them. They said, we did too.

I said, I couldn’t wait to see it.

SAME! they said.

I asked, have you seen Gummo.

They said OMG YES!

then amber said, oh so i guess I’m the mom and you relate to the hot young chicks. Nothing has changed.

 

RIP Agnès

I’m someone who likes to learn. You won’t last long in social media / tech / digital unless you are willing to continue to study trends and new platforms and fresh approaches and things you’ve never seen before.

While at the Academy I learned so much about filmmakers I had never heard of. One of them was Agnès Varda who died today at 90.

But I learned about her in such a weird way. She and the artist JR (no periods) were nominated for directing the documentary feature “Faces Places” and at the nominees luncheon he brought a cardboard likeness of her as she could not attend.

He posed with the likeness, he had other nominees hold it… it was a spectacle but in the sweetest sense because clearly all these filmmakers knew who Agnès was and they loved it and her.

One day something crazy happened at our building. Like there was a fire alarm that kept malfunctioning or something and they sent us home. But across the street they were showing Faces Places, so I took the opportunity to see the film – and it was so lovely.

I immediately could see why it was nominated. And I could also see that JR was more than just a freaky dude being weird at the fancy luncheon – he’s a true artist and precisely the type of person you would want to partner with if you are also an artist like Agnès.

The year before the Academy saluted her with an Honorary Oscar. Angelina Jolie presented it to her and danced with her on the stage. I hope that today she is dancing with all the other film legends who, I am sure, are welcoming her with open arms.

 

poor junebug

saw alita: battle angel today, not bad, was expecting it to be disappointing but

james cameron is a technical wizard and his ability to make live action actors interact with CGI is worth the price of admission alone.

and then robert rodriguez, who is no slouch, directed it beautifully.

people give disney and pixar a hard time but when you see other studios try, you notice what they get wrong.

if this was disney there would have been a deeper theme to the tale, a true moral.

here it seemed like it was trying to tell a story but there really wasnt anything there. i think thats why no ones talking about it.

mahershala ali, who at first you think how’d you end up here, has to do some insane acting and pulls it off wonderfully.

i would have loved to seen what other actors did while auditioning for that role.

 

looking forward to the live action shorts tomorrow

Went to the movies tonight as my last chance to see a nominated film before the Oscars. I saw they were screening all the nominated Live Action Shorts, so I went. Mama mia, what an intense experience.

4 of the 5 nominees are about kids in grave peril and the other is about a sweet old French-Canadian lady on her death bed. So: tearful to say the least.

The two though that really stood out for me were “Skin” which is about hate crimes based in racism, and “Detainment” where two kids are accused of killing a 2 year old.

Walking out of the theater I was giving the edge to “Skin” because it was told slightly better, but the performance of 11-year-old Ely Solan in “Detainment” is tremendous and when I got home I watched the trailer just to see him do it again.

If there was a Juvenile Oscar like they had back in the day, this kid would have walked away with it. Not just because he can bring the waterworks but because the script was based on the interrogation transcripts, so this lad embodied history and spit it out as if it was truly happening to him.

But, alas, there’s controversy about this film. Turns out the parents of the victim are super pissed that they weren’t consulted, and feel like this 30 minute short humanizes the pair. Apparently there was a petition created once the film got on the short list and once it got nominated people, like me, started paying attention. Now a quarter million people are demanding that the director or the branch or whoever has the power can get it pulled from contention. But what up n coming director wants to work on something and then give up right before crossing the finish line?

Which is why I bring it to your attention. It’s a totally compelling movie of a super tragic incident and young Ely is such a natural in this role as an child being drilled by cops into slowly telling this grisly tale. Merely for acting sake it’s worth watching.

Also it’s a weird little lesson in perspective. From this side of the pond it’s one of the best short movies of the year, and from that side it’s, I guess, a skeleton in the closet that very few want exposed and retold.

So it will be very interesting to see, if it wins, what backlash, if any, will come from the UK onto the director when he brings the statuette home. I’ll also be curious how this affects his career as a director. Will he have to move to America? Change his name? Become an Uber driver?

All of the UK will be watching that oft-overlooked category extremely closely.

saw Free Solo

in school they taught us the secret to writing a good story

introduce a totally lovable character, then fuck their lives over and see what happens. if they pull it off, great. if they die, then thats a tragedy. either is fine.

either is fine.

so here they make us fall in love with this totally unique person. he happens to be a mountain climber.

and the thing he loves to do the most is climb without ropes.

one false move and he dies.

at the academy you will meet some people who are obsessed with watching movies. one of those people worked on the same floor as me.

and i noticed that he was going to see this movie again because he loved it

and he was seeing it in IMAX, because it’s made by National Geographic

because mountain climbing is beautiful, apparently

and even though i think this movie would be emotional and beautiful and terrifying no matter where you see it

im so glad i saw it on imax.

for 2018 movies theres two movies ive given an A+ to:

isle of dogs
and now
free solo

bohemian rhapsody

i will watch any bio pic about any band any time. 

i love music so much and music docs or retellings, especially if they utilize the actual tunes, will have me glued, so i am the wrong person to ask about the Freddy Mercury film because of course i loved it. 

rami malek was perfect in every way possible. his accent, his moves, the way he arched his back, the way he posed

i grew up in an extremely homophobic town. if you were a teenage boy you could barely say you liked Journey without being called gay. And yet every long haired rocker had a Judas Priest shirt despite the fact that Rob Halford was never seen without a full leather daddy outfit. 

Why were we surprised when he came out, likewise why was Queen of all bands allowed a pass? 

Because sometimes the music is so good that the champion of the gayest guy in the room can sing it right to your face and all you see are heart emojis. 

I’m still very curious why I never thought about Freddy’s sexuality while in high school. Could he have been more blatant? Whatever. Loved him then, love him more now. 

My only gripe about the film was they glossed right over “Under Pressure” like it’s NBD that Queen had an unbelievable collaboration with David Bowie. As if that song wasn’t a huge hit for both of them. For Queen it was just their second #1 tune in the UK, for Bowie it was his third. 

Originally Bowie came to the studio with Queen to sing background on a song that was never released. So while he was there they jammed and tried another song that failed. Later they met up again in Switzerland and jammed and you can hear via the scatting on “Under Pressure” how they were formulating the dynamic tune. It is epic not in length but in styles. Count how many changes happen in it: a gazillion. It goes from one song to another to another to another and returns to that beautiful Vanilla Ice riff. 

How do you just toss that into a story about something else? 

Whatever. Loved it. Give the dude an award because fuck man that could not have been easy to do.